Conceptual, performance-based and seminal videotapes from the 1970s with an emphasis on language, contrasted by recent work by Zhuang Huan, who does radical, often painful actions in silence.
Energy Transformation in Modern Cinematography
Recent experimental films from The Netherlands and Austria.
PLAYGIARISM
“This program includes some of the most intriguing recent and historical works [of found footage collage films]” – The Village Voice
Leslie Thornton + Mauricio Kagel
A rare screening of films by experimental composer Kagel + “Peggy and Fred in Hell is one of the strangest cinematic artifacts of the last 20 years, revealing the abuses of history and innocence in the face of catastrophe…”
Bestiary
Alexander Calder, The Wooster Group, Peter Greenaway
Girl Trouble
Chantal Akerman’s first film from age 18 and Sadie Benning’s newest video.
Films In The Round
(full-figured films). Elliptical narratives, repetition, and other round things.
Mike Kelley, Paul McCarthy, Ericka Beckman
Videos by Mike Kelley, Paul McCarthy, Ericka Beckman, and collaborations among them.
Miranda July, Octant, Big Miss Moviola
Live performance, lady-made movies, and a robot band.
Chris Burden + “Young & Restless” performance-based works by women
Performance-based videos by Chris Burden from the early 1970s and by contemporary female artists from two decades later.
Friedrich, Müller, Fieber
Films by Su Friedrich, Jennifer Fieber, Matthias Müller.
Cuevas, Donovan, Gomez-Peña
Borderstasis articulates the fluid boundaries between public and private, mythical and real, as they exist in the life of a ‘migrant performance artist’ living in a fully globalized world.
Scenes from the Life of Andy Warhol
Films by Jonas Mekas + Andy Warhol.
Not Your Typical Porn
One of the first programs put together for the Pratt Film Series.
Other Screenings at Pratt
The Pratt Film Series was a weekly program dedicated to showing work not easily accessible to the public and to forging ties across disciplines including performance, music, painting, sculpture, animation, theater, and architecture. Over the course of three years, Suparak presented work from 18 countries, spanning nearly the history of cinema, as well as hosted guest filmmakers and performers, traveling film and music festivals, and collaborations with other New York City venues.