Two-week run of “Asian futures, without Asians” at MoMA, NY. Followed by a conversation with Xin Wang and Theodore Lau.
An installation that “compiles stills from films that marshal empathy for AI agents who are coded as white and humanized through their association with whiteness […] Suparak’s media archaeology interrogates imaginaries of AI”
Upcoming and recent events, projects, exhibitions.
Short looping video that collages footage from 30 years of futuristic sci-fi movies and television shows that employ a fetishized tropics trope.
Published by the Wattis Institute & Sternberg Press, distributed by MIT Press. Newly commissioned texts and an edited selection, taking the work of Trinh T. Minh-ha as its point of departure and driven by the question “What are we learning from artists today?”
Part critical analysis, part reflective essay and sprinkled throughout with humor, justified anger, and informative morsels, this illustrated presentation examines over 50 years of American science fiction cinema through the lens of Asian appropriation and whitewashing.
Collage of the Philippine salakót (roughly translates from Tagalog to “native helmet”); how it was worn by Filipinos and Spaniards in the occupying Spanish army; then adapted into the pith helmet, since deployed by every white colonial power.
Visual essay and collage on the history and (sci-fi) future of the ancient Asian technology, the conical hat.
Billboard created for For Freedoms by Stop DiscriminAsian, on view in Los Angeles.
“Astria Suparak’s ‘Virtually Asian’ […] well worth checking out.”
“Countering invisibility is at the heart of a short film by Astria Suparak titled ‘Virtually Asian.’ It splices together scenes from science fiction movies in which urban landscapes are filled with stereotypical ‘Asian’ signifiers, but the actual characters are almost exclusively white.”
“Particularly prevalent are the Asian hologram advertisements that apparently occupy every cityscape in the future, from Blade Runner (1982) to A.I. (2001) to Minority Report (2002), and do we even need to start in on Ghost in the Shell (2017)?”
“Suparak’s piece is immediate and her voice, narrating the words, is melodic and compelling. The over-dubbing of her acerbic observations on blockbuster films is a compelling prelude to other iterations of her work that will appear in fragments across digital platforms.”
Short video essay that looks at how white science fiction filmmakers fill the backgrounds of their futuristic worlds with hollow Asian figures—in the form of video and holographic advertisements—while the main cast (if not the entirety of their fictional universe’s population) is devoid of actual Asian people.
“This is a pretty interesting experiment in real-time […] It’s heartening to see such a keen and engaged audience. Lee, Suparak, and Delos Reyes have set up a really successful platform for exchange.” – Hyperallergic
Series of projects, presentations, and texts on how white filmmakers envision futures inflected by Asian culture, but devoid of actual Asian people. A visual analysis of 50+ years of American science fiction cinema.
A giant playground for the feral parrots that live in cities.
A history of the team and how it intertwines with civic issues, particularly: gun laws and violence, business and labor, real estate and gentrification, race, and class.
“Artists and curators program soccer-related art for gallery spaces—and kick around ideas about politics and power in the process”
A playlist of official and adopted team theme songs, rapping by professional athletes, music made for sports films, and sports-themed pop songs from the past six decades. Musical styles range from choral groups with orchestras, rousing anthems, and advertising jingles, to disco, soul, rock, hip hop, pop, and R&B.