Essay and illustrated presentation on how white filmmakers envision futures inflected by Asian culture, but devoid of actual Asian people. A visual analysis of 40+ years of American science fiction cinema.
This exhibition is about living with history in the here and now and the distillations we carry into the future. These artists are meticulous researchers, utilizing chemistry, botany, math, religion, politics, and bureaucracy. They explore possibilities, capture turmoil and fallow periods, track displacement and migrations.
A history of the team and how it intertwines with civic issues, particularly: gun laws and violence, business and labor, real estate and gentrification, race, and class.
The artists in this exhibition draw upon the hidden and political histories of sports to open up analyses of the social world.
This year-long series of art exhibitions, film programs, discussions, commissioned projects, and other events took place in galleries, cinemas, sports bars, bookstores, and on rooftops from Los Angeles to Washington, D.C.
An illustrated experimental essay on authenticity, postmemory, appropriation, and racial and ethnic identity (and recent cases in the art world and beyond). KQED described the commissioned chapbook as “finely wrought words.” On view at SFMOMA through Summer 2020.
An installation superimposing the goals of six major sports.
Videos selected from over 140 galleries of The International Exposition of Modern and Contemporary Art.
This exhibition provides a view into the passion and diversity of the punk feminist movement Riot Grrrl, and highlights how these ideas have broadened, evolved and mutated in the work of contemporary artists.
These projects demonstrate the strength of collective voices in deciding the future of neighborhoods, cities, nations, and societies, and the importance of intimate conversations and compassionate listening.
The first major gallery exhibition to present sports fanaticism as a significant form of cultural production, bridging the assumed gap between sports and the arts.
This is a new map of the world representing Steeler Nation, where countries that don’t have a fan base for the Pittsburgh NFL team don’t exist.
The first major exhibition of the internationally renowned culture-jamming group. Dubbed “the most prescient show of the year” by Paper City and “a timely acknowledgment of the work of […] the great social satirists of our time” by Art Papers.
Photographs and new installation work examine how communities are changing in the shadow of corporate real estate.
Other exhibitions, events, residencies organized for Carnegie Mellon’s Miller Gallery, 2008 – 2014.
This exhibition focuses on the psychological, social, cultural and political dimensions of desire, subjectivity, and pleasure.
A full-scale graph / “mountain range” mural charting the snowfall in Syracuse over the last half century, and mounds of deicers which “melted” as winter outside progressed and visitors inside took away samples.
This exhibition celebrates crystallized precipitation as the key to a delightful set of activities, and as an ephemeral filter to make ordinary surroundings new again.
Interactive project inspired by Marcel Duchamp’s readymade “In Advance of the Broken Arm.” As a munificent reversal of this historic Dadaist work, the display is rendered useful again, allowing visitors to borrow the commercially made tools from an art gallery in the deepest winter months.
These artists explore the territory delineated by the destruction of the natural world, with all its attendant themes. Entropy, redemption, apocalypse, the temptations of commercial culture, and the relationship between science and magic all emerge as motifs in this exhibition.