Posts Tagged: 2007

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C Magazine feature on Suparak’s curatorial practice

“What Suparak has done for me is to restore my sense that cool can work as a powerful rhetorical device… She uses her personal voice and her institutional power to give permission to speak to those who might not have believed they had it.”

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C Magazine feature on Suparak’s curatorial practice

“What Suparak has done for me is to restore my sense that cool can work as a powerful rhetorical device… She uses her personal voice and her institutional power to give permission to speak to those who might not have believed they had it.”

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Fanzine feature on Come On and controversy

“The fact is that Suparak did curate contextually strong exhibitions. This is why she had a following. This is why the Warehouse was widely hailed as a success… Suparak was exceedingly capable of creating a context for challenging and new work.”

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Fanzine feature on Come On and controversy

“The fact is that Suparak did curate contextually strong exhibitions. This is why she had a following. This is why the Warehouse was widely hailed as a success… Suparak was exceedingly capable of creating a context for challenging and new work.”

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NPR-affiliate WAER on Suparak

“She’s fast developing a signature style for exciting, witty and synergistic group exhibits”

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NPR-affiliate WAER on Suparak

“She’s fast developing a signature style for exciting, witty and synergistic group exhibits”

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Canadian Art review of Faux Naturel

“Given my prejudices, I found Faux Naturel – a group show celebrating some of the many wonderful ways artists have contrived to recreate woodland splendours, but without all the mucky bits – just my kind of walk in the park… Faux Naturel reminded the sensible viewer (and me) that, exotic and mysterious as nature may be, it’s best left to its own devices.”

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Canadian Art review of Faux Naturel

“Given my prejudices, I found Faux Naturel – a group show celebrating some of the many wonderful ways artists have contrived to recreate woodland splendours, but without all the mucky bits – just my kind of walk in the park… Faux Naturel reminded the sensible viewer (and me) that, exotic and mysterious as nature may be, it’s best left to its own devices.”

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Post-Standard reviews Come On

“Provocative, original work that is sure to grab your attention and occasionally push you to the edge of discomfort… For some, it takes a shock to light the fires of contemplation.”

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Post-Standard reviews Come On

“Provocative, original work that is sure to grab your attention and occasionally push you to the edge of discomfort… For some, it takes a shock to light the fires of contemplation.”

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COME ON: Desire Under the Female Gaze

This exhibition focuses on the psychological, social, cultural and political dimensions of desire, subjectivity, and pleasure.

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COME ON: Desire Under the Female Gaze

This exhibition focuses on the psychological, social, cultural and political dimensions of desire, subjectivity, and pleasure.

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WINTER LIGHT screening

Winter Light revels in the fleeting aesthetics of winter, presenting works that document ice melting, crystals forming, stars twinkling, birds migrating, surreal dreaming, the loss of consciousness and the warmth of a flame.

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WINTER LIGHT screening

Winter Light revels in the fleeting aesthetics of winter, presenting works that document ice melting, crystals forming, stars twinkling, birds migrating, surreal dreaming, the loss of consciousness and the warmth of a flame.