“Ms. Guo describes it as a statement show. […] a second installment of The Hearing Trumpet, with work by the video artist Astria Suparak, the ceramicist Heidi Lau and others, opened Saturday.”
An installation that collages white men outfitted in “Hawaiian shirts” while vacationing in future foreign lands.
Upcoming and recent exhibitions, screenings, presentations, projects.
“Astria Suparak’s For Ornamental Purposes (2022), a three-channel video, used scenes from films that cast Asian women only to be desired and conquered, pointing to the harm made possible by fantasy. […] ‘With Her Voice, Penetrate Earth’s Floor’ carves quiet moments like these to express how it feels to be broken.
“Suparak’s three-channel video For Ornamental Purposes (2022) zooms in on the holographic koi fish sometimes used in Western sci-fi to signify a more global future.”
A 3-channel video that “explore[s] Asian subjectivities and objecthood… For Ornamental Purposes treats the motif of a koi fish in three iterations, pulling from techno-Orientalist clichés in sci-fi film.”
“It was an eye-opener for me because I had seen most of the movies and shows she referenced, but I was suddenly seeing them in a whole new light. Apparently, a lot of people feel that way after seeing her presentation.”
MONDAY considers how technological, economic, and cultural forces shape the ways we produce, share, and experience media — and how that media in turn influences our values and aesthetics.
“The mute virtual women of the films profiled in Virtually Asian represent a curtailing of the technologically-enhanced female body. The effect of the accumulation of echoing tropes in Virtually Asian – of repeated images of Asian women in traditional dress appearing as immaterial set dressing for white characters – is to emphasize how relentless this process of erasure is.”
Short looping video that collages footage from 30 years of futuristic sci-fi movies and television shows that employ a fetishized tropics trope.
Part critical analysis, part reflective essay and sprinkled throughout with humor, justified anger, and informative morsels, this illustrated presentation examines over 50 years of American science fiction cinema through the lens of Asian appropriation and whitewashing.
Short video essay that looks at how white science fiction filmmakers fill the backgrounds of their futuristic worlds with hollow Asian figures—in the form of video and holographic advertisements—while the main cast (if not the entirety of their fictional universe’s population) is devoid of actual Asian people.
Series of projects, presentations, and texts on how white filmmakers envision futures inflected by Asian culture, but devoid of actual Asian people. A visual analysis of 50+ years of American science fiction cinema.
The complete archives of the influential underground film network for female filmmakers has been acquired by The Getty and is now viewable online. A selection of videos is available on the Criterion Channel (2020-Present).