Walker Art Center: Peggy Ahwesh & Astria Suparak

“Peggy Ahwesh and Astria Suparak offer inventive perspectives of Western influences on Asian cinema and and Asian influences on Western cinema.” Two-week run at The Walker.

NEWS

Upcoming and recent exhibitions, screenings, presentations, projects.

NextShark, Yahoo News on Virtually Asian

“A video essay by artist Astria Suparak offers a visual critique of sci-fi and speculative fiction films that use Asian cultures as a backdrop and Asian people as props.”

The Hollywood Reporter on Asian Futures, Without Asians

“Asian Futures, Without Asians illuminates the lopsided nature of one Hollywood genre and critiques the way media is concepted to guide audience empathy. Suparak’s [installation] investigates how artificial intelligence is coded in film, and the ways in which sympathetic robots and cyborgs, who are often white, are designed”

MoMA: An Evening with Astria Suparak

Two-week run of “Asian futures, without Asians” at MoMA, NY. Followed by a conversation with Xin Wang and Theodore Lau.

SYMPATHETIC WHITE ROBOTS

An installation that “compiles stills from films that marshal empathy for AI agents who are coded as white and humanized through their association with whiteness […] Suparak’s media archaeology interrogates imaginaries of AI”

TROPICOLLAGE

Short looping video that collages footage from 30 years of futuristic sci-fi movies and television shows that employ a fetishized tropics trope.

WHY ARE THEY SO AFRAID OF THE LOTUS?

Published by the Wattis Institute & Sternberg Press, distributed by MIT Press. Newly commissioned texts and an edited selection, taking the work of Trinh T. Minh-ha as its point of departure and driven by the question “What are we learning from artists today?”

ASIAN FUTURES, WITHOUT ASIANS (presentation)

Part critical analysis, part reflective essay and sprinkled throughout with humor, justified anger, and informative morsels, this illustrated presentation examines over 50 years of American science fiction cinema through the lens of Asian appropriation and whitewashing.

HELMET TO HELMET

Collage of the Philippine salakót (roughly translates from Tagalog to “native helmet”); how it was worn by Filipinos and Spaniards in the occupying Spanish army; then adapted into the pith helmet, since deployed by every white colonial power.

SEEDY SPACE PORTS & COLONY PLANETS

Visual essay and collage on the history and (sci-fi) future of the ancient Asian technology, the conical hat.

ASIANS HAVE BEEN HERE LONGER THAN COWBOYS

Billboard created for For Freedoms by Stop DiscriminAsian, on view in Los Angeles.

New York Times on Virtually Asian

“Countering invisibility is at the heart of a short film by Astria Suparak titled ‘Virtually Asian.’ It splices together scenes from science fiction movies in which urban landscapes are filled with stereotypical ‘Asian’ signifiers, but the actual characters are almost exclusively white.”

KQED review of Virtually Asian

“Suparak’s piece is immediate and her voice, narrating the words, is melodic and compelling. The over-dubbing of her acerbic observations on blockbuster films is a compelling prelude to other iterations of her work that will appear in fragments across digital platforms.”

VIRTUALLY ASIAN

Short video essay that looks at how white science fiction filmmakers fill the backgrounds of their futuristic worlds with hollow Asian figures—in the form of video and holographic advertisements—while the main cast (if not the entirety of their fictional universe’s population) is devoid of actual Asian people.

MATCHING MINORITIES// DOUBTFUL DOUBLES

“This is a pretty interesting experiment in real-time […] It’s heartening to see such a keen and engaged audience. Lee, Suparak, and Delos Reyes have set up a really successful platform for exchange.” – Hyperallergic

ASIAN FUTURES, WITHOUT ASIANS series

Series of projects, presentations, and texts on how white filmmakers envision futures inflected by Asian culture, but devoid of actual Asian people. A visual analysis of 50+ years of American science fiction cinema.

THE MUSEUM IS NOT ENOUGH

Co-published by Centre Canadien d’Architecture and Sternberg Press, this book is a result of collective reflections on architecture, contemporary social concerns, institutions, and the public.

WILD PARROT PLAYGROUND

A giant playground for the feral parrots that live in cities.

Art21 conversation with Stephanie Syjuco

In a special extended interview, Syjuco and Suparak discuss the roles of speech and protest in contemporary art.

EXPANDING THE FIELD: Sports & Politics Discussion Series

Three-part series with journalists, academics, and cultural producers covering topics like athletic protest, concussions and health issues, and labor and exploitation.

A NON-ZERO-SUM GAME

This year-long series of art exhibitions, film programs, discussions, commissioned projects, and other events took place in galleries, cinemas, sports bars, bookstores, and on rooftops from Los Angeles to Washington, D.C.

INCITE Journal of Experimental Media: SPORTS

The first volume of its kind, this double issue examines the intersections of sports, performance, popular culture, and experimental media. Features 41 contributors including artists, writers, critics, scholars, historians, and athletes.

QUEER THREADS

“Queer Threads is not just an exploration of fiber art and crafts, but also a celebration of the creativity, diversity, and vibrancy of contemporary queer culture.”

Joanie 4 Jackie

The complete archives of the influential underground film network for female filmmakers has been acquired by The Getty and is now viewable online. A selection of videos is available on the Criterion Channel (2020-Present).

WOMEN INC. LEXICON

A lexicon of neologisms coining new words for a new age, one marked by advances in omnipresent technology and mass surveillance; a privatization of art, culture, and education; as well as a continued struggle with intersectional issues.

PIGEONS ON THE GRASS, ALAS: Contemporary Curators Talk about the Field

Published by The Pew Center for Arts & Heritage, this is a book of interviews with curators talking about their influences, aspirations, and challenges.

ALIEN SHE

This exhibition provides a view into the passion and diversity of the punk feminist movement Riot Grrrl, and highlights how these ideas have broadened, evolved and mutated in the work of contemporary artists.

WHATEVER IT TAKES: Steelers Fan Collections, Rituals, and Obsessions

The first major gallery exhibition to present sports fanaticism as a significant form of cultural production, bridging the assumed gap between sports and the arts.

KEEP IT SLICK: Infiltrating Capitalism with The Yes Men

The first major exhibition of the internationally renowned culture-jamming group. Dubbed “the most prescient show of the year” by Paper City and “a timely acknowledgment of the work of […] the great social satirists of our time” by Art Papers.

Los Angeles Times on Virtually Asian

“Astria Suparak’s ‘Virtually Asian’ […] well worth checking out.”

Boing Boing on Virtually Asian

“Particularly prevalent are the Asian hologram advertisements that apparently occupy every cityscape in the future, from Blade Runner (1982) to A.I. (2001) to Minority Report (2002), and do we even need to start in on Ghost in the Shell (2017)?”