“These artists, working at the forefront of contemporary cinematic performance across Canada, represent two tendencies of a multivalent, transnational, projector-based screen practice. Both Boyle and Barrow orchestrate overhead projectors, hand-drawn and live animation, and their own shadows to realize fantastical vignettes and comic book narratives. Alternatively, Lemieux and MacKenzie manipulate hand-processed, self-shot, and found footage film in their formalist projector performances that entertain the potential for technical failure.”