“These works address ideas of looking – of the pleasures and intimidating powers of The Gaze – in subtle ways. These artists are asking questions that cannot and will not be answered by manifestoes; they are forcing the viewer to look, and to look at them and their lives.”
Tag: 2002
ADOLESCENT BOYS, AND LIVING ROOMS
These audios + videos are forcibly lonely and nihilistically sweet. They’ll pin you down and slowly drip spit on you, whether you’re practicing crossovers on a suburban driveway or pile-drivers in a backyard wrestling ring. I’ve got the moves if you’ve got the skills (together we could make a great team).
LOOKING IS BETTER THAN FEELING YOU
With an irreverence for punk rockers, adults like parents and politicians, non-adults like breasts and babies, and people we generally approve of such as artists and scientists, these works reveal that posers are sometimes better than the real thing.
New Times on Dirges & Sturgeons
“The champion of this raw, creative art form is Astria Suparak, a New York-based film curator who’s on a tour”
The Statesman on Looking Is Better
“Some of the biggest names in contemporary performance and video art celebrate women acting up and acting out in Looking Is Better Than Feeling You”
Telerama feature on microcinemas and Suparak
“A l’avant-garde de cette scène bouillonnante s’imposent des figures hybrides, comme la jeune et jolie Astria Suparak. Pour les programmes de courts métrages ou de vidéos qu’elle choisit et assemble, la New-Yorkaise de Brooklyn va chercher le public là où il se trouve, dans les musées ou dans les clubs, les cafés ou les discothèques.”
The Independent profile on Suparak: “A New Romantic T.V. Sound”
“At age twenty-four Astria has curated all over the U.S. and Europe, testing out new programs at NY’s best venues and then touring with them like a kid with a band. She comes to you: museums and galleries, universities, independent/underground film festivals and micro-cinemas, as well as public places like bars, community centers, and living rooms.” – Miranda July
The Independent reviews Keep In Touch!
“…the curators’ gossamer touch with heavyweight artists and themes.”
SF Bay Guardian on Dirges & Sturgeons
“Playful laments indeed, these new works use lo-fi aesthetics to critique high technology and mass-produced culture.”
KEEP IN TOUCH!
These works are brazenly aware of their own representation, those fake gestures symbolizing love, and the self-proclaimed identity of Art. On the other hand, this is a Science Fair. We’re interested in breeding and practicing our (dance) moves until perfection is reached, and by golly you’re either with us or against us. Young people, always forward!
DIRGES & STURGEONS
YACHT: Young Artists Challenge High Technology (for a Total eclipse of the heart). These new videos from America and Europe have tying threads of: the use of high (?) technology or the idea of “future” in a lo fi way, dopplegang/replication, instant nostalgia as the residue of planned obsolescence, states of limbo. High and low (fidelity and culture).
SOME KIND OF LOVING
This videotape compilation explores sexuality from its formulation in childhood, through adolescence and into adulthood, referencing psychoanalytic theory as easily as pop culture.
BROKEN MUSIC
Musical instruments are destroyed and technology is applied in peculiar ways. These de- compositions are made for video by both contemporary and historical figures, with a nod to Jimi Hendrix and the Fluxus movement.