Rhizome interviews Suparak

“Your style of independent curating was noticeably different: your interest in emerging artists, non-traditional exhibition spaces and video and media art set you apart.”

Fanzine feature on Come On and controversy

“The fact is that Suparak did curate contextually strong exhibitions. This is why she had a following. This is why the Warehouse was widely hailed as a success… Suparak was exceedingly capable of creating a context for challenging and new work.”

Canadian Art review of Faux Naturel

“Given my prejudices, I found Faux Naturel – a group show celebrating some of the many wonderful ways artists have contrived to recreate woodland splendours, but without all the mucky bits – just my kind of walk in the park… Faux Naturel reminded the sensible viewer (and me) that, exotic and mysterious as nature may be, it’s best left to its own devices.”

Post-Standard reviews Come On

“Provocative, original work that is sure to grab your attention and occasionally push you to the edge of discomfort… For some, it takes a shock to light the fires of contemplation.”

Artforum on LTTR

“the contents of the journals do not conform easily to categories, and often blur the lines between art, criticism, and fiction… it is always a finely wrought object.”

Video Pool reviews Let’s Get Tested

“Astria Suparak’s performance […] brilliantly set up the themes of the program. Let’s Get Tested explores the schism between the methodology of science and foible-filled humanness. For the most part, the tapes affirm the value of the ineffable and the elusive: immeasurable phenomena such as playfulness and pleasure. […] Let’s hope that Suparak continues with her zealotry, criss-crossing the globe as a present-day video prophet”

RES profile on Suparak: “Programmed to Stun”

“What she really wanted to do was blow the minds of viewers with unctuous erotica, politically motivated old school avant-garde retorts, hyperbolic tales, and, well, all the great stuff that hardly anybody shows anymore, much less puts together with loving attention to aesthetic nuance and fertile, thematic collision. Noting that part of her project entails seducing viewers to witness unconventional works, she also helps foment a network of artists and like-minded exhibitors.”