Part critical analysis, part reflective essay and sprinkled throughout with humor, justified anger, and informative morsels, this illustrated presentation examines 60 years of American science fiction cinema through the lens of Asian appropriation and whitewashing.
Collage of the Philippine salakót (roughly translates from Tagalog to “native helmet”); how it was worn by Filipinos and Spaniards in the occupying Spanish army; then adapted into the pith helmet, since deployed by every white colonial power.
Visual essay and collage on the history and (sci-fi) future of the ancient Asian technology, the conical hat.
Billboard created for For Freedoms by Stop DiscriminAsian.
Short video essay that looks at how white science fiction filmmakers fill the backgrounds of their futuristic worlds with hollow Asian figures—in the form of video and holographic advertisements—while the main cast (if not the entirety of their fictional universe’s population) is devoid of actual Asian people.
“This is a pretty interesting experiment in real-time […] It’s heartening to see such a keen and engaged audience. Lee, Suparak, and Delos Reyes have set up a really successful platform for exchange.” – Hyperallergic
Series of projects, performances, and texts on how white filmmakers envision futures inflected by Asian culture, but devoid of actual Asian people. A visual analysis of 60 years of mainstream science-fiction cinema.
A giant playground for the feral parrots that live in cities.
A history of the team and how it intertwines with civic issues, particularly: gun laws and violence, business and labor, real estate and gentrification, race, and class.
A playlist of official and adopted team theme songs, rapping by professional athletes, music made for sports films, and sports-themed pop songs from the past six decades. Musical styles range from choral groups with orchestras, rousing anthems, and advertising jingles, to disco, soul, rock, hip hop, pop, and R&B.
A cross-sectional overview of the various ways that sports have been treated in artists’ film and video, experimental documentary, and media-based installation throughout history.
This year-long series of art exhibitions, film programs, discussions, commissioned projects, and other events took place in galleries, cinemas, sports bars, bookstores, and on rooftops from Los Angeles to Washington, D.C.
The first volume of its kind, this double issue examines the intersections of sports, performance, popular culture, and experimental media. Features 41 contributors including artists, writers, critics, scholars, historians, and athletes.
Custom-made, embroidered sweatband to wear to any sport event! Or while sporting. Or as a conversation starter in a non-sports setting.
An illustrated experimental essay on authenticity, postmemory, appropriation, and racial and ethnic identity (and recent cases in the art world and beyond). KQED described the commissioned chapbook as “finely wrought words.” On view at SFMOMA through Summer 2020.
The complete archives of the influential underground film network for female filmmakers has been acquired by The Getty and is now viewable online. A selection of videos is available on the Criterion Channel (2020-Present).
A lexicon of neologisms coining new words for a new age, one marked by advances in omnipresent technology and mass surveillance; a privatization of art, culture, and education; as well as a continued struggle with intersectional issues.
An installation superimposing the goals of six major sports, creating an actual-scale “color field” abstraction.
An online, collaborative project tracking Riot Grrrl chapters across the world, from 1991 to the present.
A public survey and expanded oral history of the lasting impact, intergenerational and global, of the Riot Grrrl movement.
Astria Suparak 