“Suparak’s three-channel video For Ornamental Purposes (2022) zooms in on the holographic koi fish sometimes used in Western sci-fi to signify a more global future.”

“It was an eye-opener for me because I had seen most of the movies and shows she referenced, but I was suddenly seeing them in a whole new light. Apparently, a lot of people feel that way after seeing her presentation.”

“The mute virtual women of the films profiled in Virtually Asian represent a curtailing of the technologically-enhanced female body. The effect of the accumulation of echoing tropes in Virtually Asian – of repeated images of Asian women in traditional dress appearing as immaterial set dressing for white characters – is to emphasize how relentless this process of erasure is.”

“A video essay by artist Astria Suparak offers a visual critique of sci-fi and speculative fiction films that use Asian cultures as a backdrop and Asian people as props.”

“Asian Futures, Without Asians illuminates the lopsided nature of one Hollywood genre and critiques the way media is concepted to guide audience empathy. Suparak’s [installation] investigates how artificial intelligence is coded in film, and the ways in which sympathetic robots and cyborgs, who are often white, are designed”

“Astria Suparak’s ‘Virtually Asian’ […] well worth checking out.”

“Countering invisibility is at the heart of a short film by Astria Suparak titled ‘Virtually Asian.’ It splices together scenes from science fiction movies in which urban landscapes are filled with stereotypical ‘Asian’ signifiers, but the actual characters are almost exclusively white.”

“Particularly prevalent are the Asian hologram advertisements that apparently occupy every cityscape in the future, from Blade Runner (1982) to A.I. (2001) to Minority Report (2002), and do we even need to start in on Ghost in the Shell (2017)?”