NOW & SOON:
Updated October 14, 2021
@ Seen Journal
Seedy Space Ports and Colony Planets: Asian Conical Hats in Cinematic Dystopias: A new visual essay and collage commissioned for BlackStar’s Seen journal of film and visual culture. Related Instagram Live conversation on Tuesday, June 1 at 1pm PST / 4pm EST.
Asian futures, without Asians: New essay commissioned by the Wattis. A condensed version of the Asian futures, without Asians presentation (June 10). Published in Why are they so afraid of the lotus?, edited by Jeanne Gerrity and Kim Nguyen (Wattis Institute for Contemporary Arts and Sternberg Press, and distributed by MIT Press).
@ Other Futures, Amsterdam
Tropicollage, a new looping video commissioned by science-fiction festival Other Futures, released online.
August 14, 2021, 2-4pm PST
@ ICA LA, Los Angeles (co-presented by GYOPO)
Free and open to the public. Live captioning and ASL interpretation.
Los Angeles premiere of Asian futures, without Asians. A conversation between Astria Suparak and writer and media creative Jason Concepcion will follow the presentation.
September 16—November 19, 2021
@ Oxy Arts, Los Angeles
Sympathetic White Robots (and Cyborgs), an installation commissioned for the “Encoding Futures” exhibition (organized by Mashinka Firunts Hakopian and Meldia Yesayan). Artists include: Algorithmic Justice League, Stephanie Dinkins, Aroussiak Gabrielian, Maya Ganesh, Kite, Lauren Lee McCarthy, Caroline Sinders, Astria Suparak, Mandy Harris Williams.
Nov. 8—22, 2021
@ MoMA, New York
New York premiere of Asian futures, without Asians. Suparak is joined in conversation by art historian and curator Xin Wang, as well as Theodore Lau, 12-Month Curatorial Intern, Department of Film.
Presentations and projects to be announced in New York, Seattle, and Virginia.
Inaugural Artist in Residence, The Zay Collection, London, England
Astria Suparak will conduct research on the ways in which American science fiction films represent Arab fashion — particularly its overlap with West Asian and South Asian cultures. This work will result in a public talk and online posts elaborating Suparak’s findings.
June 10, 2021, 5pm PST
@ The Wattis Institute of Contemporary Art, San Francisco
Asian futures, without Asians: Premiere of a new illustrated talk by Astria Suparak commissioned by the Wattis, presented with the launch of the publication Why are they so afraid of the lotus? (Wattis and Sternberg Press, distributed by MIT Press), which includes a visual essay based on the lecture.
May 31—June 6, 2021
April 2—May 22, 2021
@ Gallery 400, University of Illinois at Chicago
Guest curator for UIC MFA Class of 2020/2021 Thesis Exhibitions:
Sidelong Glances, April 2-10. Featuring artists Oleksandra Chuprina, Jared Kelley, Graham Livingston & Marina Resende Santos, Julian Van Der Moere, Robert Zant.
Ordinary Horrors, April 16-23. Featuring artists Sonya Bogdanova, Asya Dubrovina, Nick Jackson & Tyner White, Austin McCann, Laleh Motlagh, Anastasia Sitnikova.
@ The Royal Society of Canada, online
“The Urban Legend of Rat Eating,” a small excerpt of Asian futures, without Asians, is included in the Engaging Creativities exhibition (section organized by Ethnocultural Art Histories Research, Concordia University, Montreal
Nov. 19, 2020—Feb. 14, 2021
@ USF’s Thacher Gallery (online) & in Bayview, San Francisco (in-person)
Become The Monuments That Cannot Fall is the first survey exhibition of Related Tactics, which includes a new public art commission. Organized by Astria Suparak, University of San Francisco’s Museum Studies Curatorial Practicum, & Thacher Gallery.
Jan. 19, 2021, 7pm PST
@ Living Room Light Exchange Salon (LRLX), San Francisco, online
Free, RSVP for link
Astria Suparak and Rafael Lozano-Hemmer will each present for 15-minutes, then be in conversation with each other and the audience.
Wild Parrot Playground, The Hoosac Institute Journal
Matching Minorities//Doubtful Doubles: A Conversation on Institutionalized Racism, Tokenism, and Inclusion vs. Optics in the Art World @ Common Field Convening, Houston 2020 — Video and resources now online
FOR THE LATEST UPDATES, FOLLOW: